Monatshefte Monatshefte E-TOC Notices
HOME HELP FEEDBACK SUBSCRIPTIONS ARCHIVE SEARCH TABLE OF CONTENTS
 QUICK SEARCH:   [advanced]


     


Monatshefte 100(1):107-127 (2008); doi:10.3368/mon.100.1.107
This Article
Right arrow Full Text (PDF)
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Download to citation manager
Right arrow reprints & permissions
Citing Articles
Right arrow Citing Articles via Google Scholar
Google Scholar
Right arrow Articles by Bullock, M.
Right arrow Search for Related Content

Shocked Silences: Alfred Andersch, Walter Benjamin, Ludwig Wittgenstein

Marcus Bullock

University of Wisconsin, Milwaukee

In all his works, though especially in Die Kirschen der Freiheit, Alfred Andersch explores the difference between rhetorical power in the public and the private domain. In that early work, he describes how he retreated from the public sphere in order to generate a fragment of language that signals a moment of individual spontaneity, a momentary passage of freedom. In identifying the quality of such an instant and the form of expression that articulates it, he also generates the basis of a resistance to all the forms of discourse that endeavor to enthrall their speakers by inscribing them within an ultimate enclosure of meaning. That resistance applies initially, of course, to the depredations of political seduction, but its incisive critical line also exposes common weaknesses drawn on the horizon of rhetorical power in the otherwise so different, though equally attractive and impressive, intellectual achievements of Walter Benjamin and Ludwig Wittgenstein. (MB)







HOME HELP FEEDBACK SUBSCRIPTIONS ARCHIVE SEARCH TABLE OF CONTENTS

Copyright 2008 by The Board of Regents of the University of Wisconsin System