Research ArticleArticles
Language of Immediacy: Authenticity as a Premise in Benjamin’s The Work of Art in the Age of Its Technological Reproducibility
Christoph Zeller
Monatshefte, March 2012, 104 (1) 70-85; DOI: https://doi.org/10.1353/mon.2012.0015
Christoph Zeller
Vanderbilt University

Works Cited
- Adorno Theodor W.
- Adorno Theodor W.
- Adorno Theodor W.,
- Benjamin Walter
- Benjamin Walter
- Benjamin Walter
- Benjamin Walter
- Benjamin Walter
- Berg Jan,
- Hügel Hans-Otto,
- Kurzenberger Hajo
- Brecht Bertolt
- Brodersen Momme
- Buchholz Kai,
- et al.
- Bürger Peter
- Fellmann Ferdinand
- Fürnkäs Josef
- Geulen Eva
- Groys Boris
- Groys Boris
- Hepp Corona
- Herzog Oswald
- Knaller Susanne
- Koepnick Lutz
- Langston Richard
- Lethen Helmuth
- Lindemann Uwe
- Lindner Burkhardt
- Müller Harro
- Recki Brigitte
- Röttgers Kurt,
- Reinhard Fabian
- Saussure Ferdinand de
- Scholem Gershom
- Schöttker Detlev
- Schütte Uwe
- Simmel Georg
- Steiner Uwe
- Witte Bernd
- Zeller Christoph
In this issue
Monatshefte
Vol. 104, Issue 1
20 Mar 2012
Language of Immediacy: Authenticity as a Premise in Benjamin’s The Work of Art in the Age of Its Technological Reproducibility
Christoph Zeller
Monatshefte Mar 2012, 104 (1) 70-85; DOI: 10.1353/mon.2012.0015
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