Writing Coincidence: Brecht’s and Marlowe’s History Play

Works Cited

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   . Werke. Große kommentierte Berliner und Frankfurter Ausgabe. Ed. Hecht Werner, et al. 30 vols. Frankfurt am Main: Suhrkamp, 1988–2000.
2. 1. Briggs William D

   . Marlowe’s ‘Edward II.’ London: D. Nutt, 1914.
3. 1. Carney Sean

   . Brecht and Critical Theory: Dialectics and Contemporary Aesthetics. London: Routledge, 2005.
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   . “‘Here’s Nothing Writ’: Scribe, Script and Circumscription in Marlowe’s Plays.” Theatre Journal 36. 3 (1984): 301–20.

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5. 1. Gaston Bruce

   . “Brecht’s Pastiche History Play: Renaissance Drama and Modernist Theatre in Leben Eduards des Zweiten von England.” German Life and Letters 56. 4 (2003): 344–62.

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6. 1. Holderness Graham

   . “Shakespeare’s ‘Whole History:’ Drama and Early Modern Historical Theory.” Rethinking History: The Journal of Theory and Practice 3.1 (1999): 21–52.

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7. 1. Kussmaul Paul

   . Bertolt Brecht und das englische Drama der Renaissance. Bern: Verlag Herbert Lang, 1974.
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   . “A Note on Bertolt Brecht’s Adaptation of Marlowe’s ‘Edward II’,” The Modern Language Review 54. 2 (1959): 214–20.

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9. 1. Marlowe Christopher

   . Edward II. Ed. Rowland Richard. Oxford: Clarendon Press, 1994.
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12. 1. Ryan Patrick

    . “Marlowe’s ‘Edward II’ and the Medieval Passion Play.’” Comparative Drama 32. 4 (1998–99): 465–95.

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14. 1. Tatlow Antony

    . “Ghosts in the House of Theory: Brecht and the Unconscious.” The Brecht Yearbook 24 (1999): 1–13.

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15. 1. Tatlow Antony

    . Shakespeare and the Inter-Cultural Sign. Durham: Duke UP, 2001.
16. 1. Voss James

    . “Edward II Marlowe’s Historical Tragedy.” English Studies 63. 6 (1982): 517–30.

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17. 1. White John J

    . Brecht’s Dramatic Theory. Rochester: Camden House, 2004.
18. 1. Wikander Matthew

    . The Play of Truth and State: Historical Drama from Shakespeare to Brecht. Baltimore: Johns Hopkins UP, 1986.
19. 1. Willett John

    . The Theatre of Bertolt Brecht: A Study from Eight Aspects. London: Methuen, 1959.