April Fools’ in Weimar: Photography and Crisis in the Illustrierten

Abstract

Each April 1^st, the popular glossy tabloids known as Illustrierte published a series of mischievous April fool jokes. In this annual game of discerning the real news from the fake, prominent magazines tricked readers unable or unwilling to exercise their critical faculties by interspersing manipulated photographs amid the familiar array of advertisements, serialized novels, puzzles, and articles of the Illustrierten. Often critiqued as manipulating their naïve readers, the magazines’ use of fake photographs and the mixed message of their satirical sight gags astutely comment on the notion that “the camera does not lie”. Their interweaving with serious photojournalism pieces complicates the arguments of critics that the Illustrierten were exclusively naïve purveyors of distraction. Far from being trivial, April fool jokes reflect and refract the obsessions of Weimar popular culture with such modern themes as mechanical movement, sensational spectacle, or miraculous weight loss.