April Fools’ in Weimar: Photography and Crisis in the Illustrierten

Works Cited

1. 1. Barlog Ferdinand.

   “Wenn man auf unsere Aprilscherze hereingefallen wäre.” Uhu, May 1928: 66–69. Print.
2. 1. Barthes Roland.

   S/Z. New York: The Noonday Press, 1974. Print.
3. 1. Blackwell Stephen H.

   The Quill and the Scapel: Nabokov's Art and the Worlds of Science. Columbus: The Ohio State University Press, 2009. Print.
4. 1. Brewer John.

   The American Leonardo: A Tale of Obsession, Art and Money. Oxford, New York: Oxford UP, 2009. Print.
5. 1. Burroughs Alan.

   “Notes on the Principles and Process of X-ray Examination of Paintings.” The Smithsonian Report for 1927. Washington: US Government Printing Office, 1928, 529–33. Print.
6. 1. Busch Werner.

   “Blue Boy: Geschichte eines Kult-Gemäldes.” Weltkunst: Zeitschrift für Kunst und Antiquitäten 30, Nr. 10 (2010): 30–38. Print.

   OpenUrl
7. “Der Blue Boy—ein Mädchen!” Uhu, April 1928: 83. Print.
8. “Ein neuer Schlankheitsapostel.” Uhu, April 1928: 48–53. Print.
9. “Eine sensationelle neue Tanznummer: Die Schwestern Prilawskaja kommen nach Berlin.” Uhu, April 1928: 97. Print.
10. 1. Fineman Mia.

    Faking It: Manipulated Photography Before Photoshop. New York: Metropolitan Museum of Art, 2012. Print.
11. 1. Finkel Jori.

    “Attention, ‘Blue Boy’ Fans: Slow Down.” New York Times, May 25, 2008. Print.
12. 1. Homans Jennifer.

    Apollo's Angels: A History of Ballet. New York: Random House, 2010. Print.
13. “Illustrierte Magazine der klassischen Moderne.” illustrierte-presse.de (accessed June 16, 2016). Web.
14. 1. Korff Kurt.

    “Die ‘Berliner Illustrirte.’” 50 Jahre Ullstein: 1877–1927. Ed. Osborn Max. Berlin: Ullstein, 1927, 279–302. Print.
15. 1. Lebeck Robert,
    2. von Dewitz Bodo.

    Kiosk. Eine Geschichte der Fotoreportage 1839–1973. Göttingen: Steidl, 2002. Print.
16. 1. Lodge John E.

    “X-Rays Trap Art Counterfeiters.” Popular Science Monthly, May 1929. 42–43. Print.
17. 1. Mann Thomas

    “Die Welt ist schön.” Berliner Illustrirte Zeitung. December 23, 1928. Print.
18. 1. Molzahn Johannes.

    “Nicht mehr lesen! Sehen!” Das Kunstblatt 12 (1928): 78–82. Print.

    OpenUrl
19. 1. Münsterberg Hugo.

    Grundzüge der Psychotechnik. Leipzig: Verlag von Johann Ambrosius Barth, 1914.
20. 1. Nolan Mary.

    Visions of Modernity: American Business and the Modernization of Germany. New York: Oxford UP, 1994. Print.
21. 1. Padfield Joseph,
    2. Saunders David,
    3. Cupitt John,
    4. Atkinson Robert

    . “Improvements in the Acquisition and Processing of X-ray Images of Paintings.” National Gallery Technical Bulletin 23 (2002): 62–75. Print.

    OpenUrl
22. 1. Phillips Christopher.

    “Introduction.” Montage and Modern Life 1919–1942. Ed. Teitelbaum Matthew. Cambridge, MA: The MIT Press, 1992, 20–35. Print.
23. 1. Pizzi Andrea.

    “Hahn v. Duveen, New York, 1929.” Under Art Rule blog. Entry posted December 12, 2007. http://artrule.blogspot.com/2007/12/hahn-v-duveen-new-york-1929.html (accessed June 16, 2016). Web.
24. 1. Renger-Patzsch Albert.

    Die Freude am Gegenstand. Gesammelte Aufsätze zur Photographie. Ed. Stiegler Bernd. Munich: Wilhelm Fink, 2010. Print.
25. 1. Renger-Patzsch Albert.

    Die Welt ist schön. Einhundert photographische Aufnahmen. Ed. with an introduction by Heise Carl Georg. Munich: Kurt Wolff Verlag, 1928. Print.
26. 1. Renger-Patzsch Albert.

    “Neue Blickpunkte der Kamera.” Uhu, April 1928: 86–93. Print.
27. 1. Spemann Fe,
    2. Gebhard Max.

    “April April. Angsttraum eines Bildredakteurs.” Das Magazin, April 1932, 7026–7030. Print.
28. 1. Terpis Max.

    “Das schöne alte Ballett.” Das Magazin Nr. 59 (July 1929): 3678–3680.
29. 1. Tietjien Friedrich.

    “Photography in Art Conservation.” Encyclopedia of Nineteenth-Century Photography. Ed. Hannavy John. 1102–1104. London: Routledge, 2007. Print.
30. 1. Toepfer Karl.

    Empire of Ecstasy: Nudity and Movement in German Body Culture, 1910–1935. Berkeley: U of California P, 1997. Print.
31. 1. Toman Jindřich,
    2. Primus Zdenek.

    Foto/montáž tiskem / Photo/Montage in print. Prague: Kant, 2009. Print.
32. 1. van Hoesen Brett M.

    “Re-Staging Genocide: Popular Press Photomontage and the Culture of Forgetting in the Age of Weimar Postcolonialism.” Weimar Colonialism: Discourses and Legacies of Post-Imperialism in Germany after 1918. Ed. Krobb Florian, Martin Elaine. Bielefeld: Aisthesis, 2014, 123–143. Print.
33. “Victorian Visions of the Year 2000: A Cartophilic Journey ‘Back to the Future.’” http://www.ifisoft.ch/test/andrea/victorian-visions-1/ (accessed June 16, 2016). Web.
34. “Weird ‘All Fools’ Jokes in Germany.” The American Weekly, May 17, 1931. 4–6. Print.
35. “Zu Schiff über Land.” Uhu, April 1928. 54–55. Print.