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Heiner Müller’s Cooperation with the “Institution of Art”— An Analysis of His Performance at the Büchnerpreis Award Ceremony
Jens Pohlmann
Monatshefte, June 2021, 113 (2) 208-229; DOI: https://doi.org/10.3368/m.113.2.208
Jens Pohlmann
Zentrum für Medien-, Kommunikations-und Informationsforschung (ZeMKI), Universität Bremen
Works Cited
- Adorno, Theodor W.
- Arndt, Susan
- Arndt, Susan
- Banet-Weiser, Sarah
- Boltanski, Luc and
- Eve Chiapello
- Bourdieu, Pierre
- Büchner, Georg
- Bürger, Peter
- Deutsche Akademie für Sprache und Dichtung
- Eggers, Maureen Maisha
- Hauschild, Jan-Christoph
- Hermand, Jost
- Kaufmann, Ulrich
- Lennox, Sara
- Ludwig, Janine
- Müller, Heiner
- Müller, Heiner
- öffentlichkeit gegen Gewalt e.V, and CyberNomads
- Piesche, Peggy
- Schulz, Kristin
- Schütte, Uwe
- Ulmer, Judith
In this issue
Monatshefte
Vol. 113, Issue 2
1 Jun 2021
Heiner Müller’s Cooperation with the “Institution of Art”— An Analysis of His Performance at the Büchnerpreis Award Ceremony
Jens Pohlmann
Monatshefte Jun 2021, 113 (2) 208-229; DOI: 10.3368/m.113.2.208
Jump to section
- Article
- Abstract
- Heiner Müller’s “Die Wunde Woyzeck”1
- The Büchnerpreis Award Ceremony as Communicative Symbolical Act
- Müller’s Acceptance Speech—a Formal and Thematic Provocation
- Müller’s Political and Institütional Critique
- The Implications of Müller’s Award Speech
- “I am a Negro”—Müller’s Public Reading One Day after the Büchnerpreis Ceremony
- Literature and Politics—Müller’s Strategic Reasons for Accepting the Prize
- Footnotes
- Works Cited
- Info & Metrics
- References
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