Annemarie Schwarzenbachs Straßenszene in Moskau 1934. Antifaschistische Bildästhetik zwischen fotografischem Konstruktivismus und sozialistischem Realismus

Thank you for your interest in spreading the word on Monatshefte.

NOTE: We only request your email address so that the person you are recommending the page to knows that you wanted them to see it, and that it is not junk mail. We do not capture any email address.