Friends with Benefits: Friendship and Queer Temporality in Klaus Mann’s Der fromme Tanz (1926) and Siegfried Kracauer’s Georg (1934)

Domenic DeSocio

doi:10.3368/m.114.3.407

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Friends with Benefits: Friendship and Queer Temporality in Klaus Mann’s Der fromme Tanz (1926) and Siegfried Kracauer’s Georg (1934)

Domenic DeSocio

Monatshefte, September 2022, 114 (3) 407-425; DOI: https://doi.org/10.3368/m.114.3.407

Domenic DeSocio

Kresge Centennial Hall, Room 3-305, 1880 Campus Drive, Evanston, IL 60208,

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vol. 114 no. 3 407-425

DOI

https://doi.org/10.3368/m.114.3.407

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University of Wisconsin Press

Print ISSN

0026-9271

Online ISSN

1934-2810

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Published online November 4, 2022.

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Domenic DeSocio

Kresge Centennial Hall, Room 3-305, 1880 Campus Drive, Evanston, IL 60208, ddesocio{at}northwestern.edu

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Friends with Benefits: Friendship and Queer Temporality in Klaus Mann’s Der fromme Tanz (1926) and Siegfried Kracauer’s Georg (1934)

Domenic DeSocio

Monatshefte Sep 2022, 114 (3) 407-425; DOI: 10.3368/m.114.3.407

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Friends with Benefits: Friendship and Queer Temporality in Klaus Mann’s Der fromme Tanz (1926) and Siegfried Kracauer’s Georg (1934)

Domenic DeSocio

Monatshefte Sep 2022, 114 (3) 407-425; DOI: 10.3368/m.114.3.407

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