Research ArticleArticles
Slow Aesthetics, Fraught Intimacy, and Queer Time in the German Queer New Wave: Sturmland and Neubau
Kyle Frackman
Monatshefte, September 2022, 114 (3) 448-469; DOI: https://doi.org/10.3368/m.114.3.448
Kyle Frackman
Buchanan Tower 925, 1873 E Mall, Vancouver, BC V6T 1Z1, Canada,
Works Cited
- Abel, Marco
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- Heather Hensman Kettrey
- Bíró-Nagy, András
- Butzmühlen, Stefan
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- Castro, Lucio
- Császi, Ádám
- Dean, Tim
- Dhaenens, Frederik
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- Freeman, Elizabeth
- Gutiérrez Rodríguez, Encarnación
- Haigh, Andrew
- Halberstam, Jack
- Han, Clara
- Iben, Tor
- Koepnick, Lutz
- Kopp, Kristin
- Kreuser, Kai
- Mäkelä, Mikko
- Marks, Laura U.
- Mennel, Barbara
- Morusiewicz, Rafał
- Muñoz, José Esteban
- Puar, Jasbir et al.
- Quandt, James
- Rankin, Jennifer
- Rich, B. Ruby
- Romney, Jonathan
- Royale, Tucké, and
- Raquel Kishori Dukpa
- Sachs, Ira
- Schmit, Johannes Maria
- Schoonover, Karl, and
- Rosalind Galt
- Stehle, Maria, and
- Beverly M. Weber
- Tepest, Eva
- Toomey, Michael
- Tuttle, Harry
- Walters, Ben
- Wirnshofer, Josef
In this issue
Monatshefte
Vol. 114, Issue 3
21 Sep 2022
Slow Aesthetics, Fraught Intimacy, and Queer Time in the German Queer New Wave: Sturmland and Neubau
Kyle Frackman
Monatshefte Sep 2022, 114 (3) 448-469; DOI: 10.3368/m.114.3.448
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