Beyond Representation: The Ethics of Music after Auschwitz in Adorno and Jankélévitch

Works Cited

Abbreviations

AA

Adorno, Theodor W. Can One Live After Auschwitz? A Philosophical Reader. ed. R. Tiedemann. Stanford: Stanford UP, 2003.

AT

Adorno, Theodor W. Aesthetic Theory. tr. R. Hullot-Kentor. Minneapolis: U of Minnesota P, 1997.

EM

Adorno, Theodor W. Essays on Music. ed. R. Leppert, tr. S. H. Gillespie. Berkeley: U of California P, 2002.

HTS

Adorno, Theodor W. Hegel: Three Studies. tr. S. Weber-Nicholson. Cambridge: MIT P, 1993.

ND

Adorno Theodor W. Negative Dialectics. tr. E. B. Ashton. New York: Continuum, 2007.

QUF

Adorno Theodor W. Quasi Una Fantasia: Essays on Modern Music. tr. R. Livingstone. New York: Verso, 2011.

F

Jankélévitch, Vladimir. Forgiveness. tr. A. Kelley. Chicago: U of Chicago P, 2005.

DNL

Jankélévitch, Vladimir. “Do Not Listen to What They Say, Look at What They Do.” trans. A. Hobart. Critical Inquiry 22.3 (1996): 549–551.

MI

Jankélévitch, Vladimir. Music and the Ineffable. tr. C. Abbate. Princeton: Princeton UP, 2003.

SWP

Jankélévitch, Vladimir. “Should We Pardon Them?” tr. A. Hobart. Critical Inquiry 22.3 (1996): 552–572.

Other Works

1. 1. Abbate, Carolyn

   . “Music—Drastic or Gnostic?” Critical Inquiry 30.3 (2004): 505–536.

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2. 1. Abbate, Carolyn and
   2. Gallope, Michael

   . “The Ineffable (and Beyond).” The Oxford Handbook of Western Music and Philosophy. Ed. T. McAuley. Oxford: Oxford UP, 2020. 740–761.
3. 1. Blanchot, Maurice

   . The Writing of Disaster. Tr. A. Smock. Lincoln: U of Nebraska P, 1986.
4. 1. Calico, Joy H.

   Arnold Schoenberg’s A Survivor from Warsaw in Postwar Europe. Berkeley: U of California P, 2014.
5. 1. Carroll, Mark

   . Music and Ideology in Cold War Europe. Cambridge: Cambridge UP, 2003.
6. 1. Cumming, Naomi

   . “The Horrors of Identification: Reich’s Different Trains.” Perspectives of New Music 35.1 (1997): 129–152.

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7. 1. Currie, James R.

   “Where Jankélévitch cannot Speak.” Journal of the American Musicological Society 65.1 (2012): 247–451.

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8. 1. Derrida, Jacques

   . “To Forgive: The Unforgivable and the Imprescriptible.” Questioning God. ed. J. D. Caputo et al. Bloomington: Indiana UP, 2001. 21–51.
9. 1. Finlayson, James G.

   “Adorno on the Ethical and the Ineffable.” European Journal of Philosophy 10.1 (2002): 1–25.

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10. 1. Gallope, Michael

    . “Jankélévitch’s fidelity to inconsistency.” Journal of the American Musicological Society 65.1 (2012): 235–241.

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11. 1. Gallope, Michael

    . Deep Refrains: Music, Philosophy, and the Ineffable. Chicago: U of Chicago P, 2012.
12. 1. Gallope, Michael

    . “Adorno, Music, and the Ineffable.” A Companion to Adorno. ed. P.E. Gordon et al. Hoboken: Blackwell, 2020. 427–442.
13. 1. Hepokoski, James

    . “Ineffable Immersion: Contextualizing the Call for Silence.” Journal of the American Musicological Society 65.1 (2012): 223–230.

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14. 1. Hoeckner, Berthold

    . Film, Music, Memory. Chicago: U of Chicago P, 2019.
15. 1. Howe, Irving

    . “Writing and the Holocaust.” A Voice Still Heard: Selected essays of Irving Howe. ed. Nina Howe. New Haven: Yale UP, 2014.
16. 1. Lang, Berel

    . Act and Idea in the Nazi Genocide. Chicago: U of Chicago P, 1990.
17. 1. Lochhead, Judy

    . “The Sublime, the Ineffable, and Other Dangerous Aesthetics.” Women and Music 12.1 (2008): 63–74.

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18. 1. Lyotard, Jean-François

    . The Differend: Phrases in Dispute. tr. Georges. Van Den Abbeele. Minneapolis: U of Minnesota P, 1988.
19. 1. Móricz, Klára

    . Jewish Identities: Nationalism, Racism, and Utopianism in Twentieth Century Music. Berkeley: U of California P, 2008.
20. 1. Rentschler, Eric

    . “Remembering not to Forget: A Retrospective Reading of Kluge’s Brutality in Stone.” New German Critique 49 (1990): 23–41.

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21. 1. Rothberg, Michael

    . Traumatic Realism: The Demands of Holocaust Representation. Minneapolis: U of Minnesota P, 2000.
22. 1. Scherzinger, Martin

    . “The Ambiguous Ethics of Music’s Ineffability,” Journal of the Royal Musical Association 145.1 (2020): 229–250.

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23. 1. Weigel, Sigrid

    . “Non-Philosophical Amazement: Benjamin’s position on the Aftermath of the Holocaust.” Body- and Image-Space: Rereading Walter Benjamin, tr. G. Paul. New York: Routledge, 1996.
24. 1. Weiss, Joseph

    . The Dialectics of Music: Adorno, Benjamin, and Deleuze. London: Bloomsbury, 2021.
25. 1. Wlodarski, Amy L.

    Musical Witness and Holocaust Representation. Cambridge: Cambridge UP, 2015.
26. 1. Young, James E.

    Writing and Rewriting the Holocaust: Narrative and the Consequences of Interpretation. Bloomington: Indiana UP, 1990.