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More articles from (RE)READINGS—NEW READINGS/(WIEDER)GELESEN—NEU GELESEN
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Peter Szondi’s
Theorie des modernen Dramas
(1956 / 63): From Absolute Drama to Absolute Theory
Peter Höyng
Monatshefte,
September 2009,
101
(3)
314-322;
DOI: https://doi.org/10.1353/mon.0.0156
Peter Höyng
Emory University
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Peter Szondi,
Theorie des modernen Dramas
. (1956)
Klaus L. Berghahn
Monatshefte,
September 2009,
101
(3)
307-313;
DOI: https://doi.org/10.1353/mon.0.0150
Klaus L. Berghahn
University of Wisconsin, Madison
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Käte Hamburger
Horst Turk
Monatshefte,
March 2008,
100
(1)
17-24;
DOI: https://doi.org/10.1353/mon.2008.0054
Horst Turk
Universität Göttingen
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Käte Hamburger’s
Logik der Dichtung
in Contemporary Narrative Theory
Caroline Domenghino
Monatshefte,
March 2008,
100
(1)
25-32;
DOI: https://doi.org/10.1353/mon.2008.0035
Caroline Domenghino
Johns Hopkins University
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