RT Journal Article SR Electronic T1 A Flash of Enlightenment: A Brechtian Moment in Douglas Sirk’s La Habanera JF Monatshefte FD University of Wisconsin Press SP 400 OP 414 DO 10.1353/mon.0.0034 VO 100 IS 3 A1 David E. Lee YR 2008 UL http://mon.uwpress.org/content/100/3/400.abstract AB Douglas Sirk’s German films are currently looked on as works that contain few oppositional elements, and even their degree of sophistication has been questioned. Sirk’s last German film, La Habanera (1937), includes a piece of visual trickery that functions subliminally—in the broadest sense of that term—and reveals a psychological truth underlying the social interactions of the main characters. The trompe-l’oeil also reflects back on the construction of illusion and film’s expressive powers. This Brechtian moment complements a critical stance that favors strong female characters, and it invites a reconsideration of the political position Sirk adopts in his film. Although both NS censorship and the nationalist sentiments of the author of the screenplay make it seem unlikely, the repression of science through dictatorial fiat depicted in the film and the poetic justice meted out to this folly offer a strong critique of intellectual conditions in Germany.