<?xml version='1.0' encoding='UTF-8'?><xml><records><record><source-app name="HighWire" version="7.x">Drupal-HighWire</source-app><ref-type name="Journal Article">17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Heiduschke, Sebastian</style></author></authors><secondary-authors></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Emerging from the Niche: DEFA’s Afterlife in Unified Germany</style></title><secondary-title><style face="normal" font="default" size="100%">Monatshefte</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2013</style></year><pub-dates><date><style  face="normal" font="default" size="100%">2013-12-21 00:00:00</style></date></pub-dates></dates><pages><style  face="normal" font="default" size="100%">625-640</style></pages><doi><style  face="normal" font="default" size="100%">10.1353/mon.2013.0104</style></doi><volume><style face="normal" font="default" size="100%">105</style></volume><issue><style face="normal" font="default" size="100%">4</style></issue><abstract><style  face="normal" font="default" size="100%">The cinema of the GDR has seen a steep rise in popularity since German unification. DEFA is now a popular “brand,” with its films being omnipresent on television, in movie theaters, and on DVD, Blu-ray, and online streaming video. Reasons for this success are located in the current infrastructure of DEFA cinema. Since 1999, DEFA-Stiftung, Progress Filmverleih, and Icestorm Entertainment have (re-)introduced the GDR’s cinematic legacy to German culture, where audiences embrace the new media as reminders of a bygone time. (SH)</style></abstract></record></records></xml>