RT Journal Article SR Electronic T1 April Fools’ in Weimar: Photography and Crisis in the Illustrierten JF Monatshefte FD University of Wisconsin Press SP 255 OP 269 DO 10.3368/m.109.2.255 VO 109 IS 2 A1 Magilow, Daniel H. YR 2017 UL http://mon.uwpress.org/content/109/2/255.abstract AB Each April 1st, the popular glossy tabloids known as Illustrierte published a series of mischievous April fool jokes. In this annual game of discerning the real news from the fake, prominent magazines tricked readers unable or unwilling to exercise their critical faculties by interspersing manipulated photographs amid the familiar array of advertisements, serialized novels, puzzles, and articles of the Illustrierten. Often critiqued as manipulating their naïve readers, the magazines’ use of fake photographs and the mixed message of their satirical sight gags astutely comment on the notion that “the camera does not lie”. Their interweaving with serious photojournalism pieces complicates the arguments of critics that the Illustrierten were exclusively naïve purveyors of distraction. Far from being trivial, April fool jokes reflect and refract the obsessions of Weimar popular culture with such modern themes as mechanical movement, sensational spectacle, or miraculous weight loss.