RT Journal Article
SR Electronic
T1 Imitation, Interest, and the Ethics of Imperfection in Karl Philipp Moritz’s Aesthetics, 1786–1788
JF Monatshefte
FD University of Wisconsin Press
SP 263
OP 285
DO 10.3368/m.113.2.263
VO 113
IS 2
A1 Mattias Pirholt
YR 2021
UL http://mon.uwpress.org/content/113/2/263.abstract
AB This article traces the development of Karl Philipp Moritz’s writings on aesthetics that were produced in the aftermath of the essay “Über den Begriff des in sich selbst Vollendeten” and that led up to the influential treatise Über die bildende Nachahmung des Schönen. The writings from this short period from 1786 through 1788 are epitomized by an increasing awareness of the deficiencies associated with human-made products, including works of art. Art is a formative imitation or imprint of nature’s eternal perfection but is in itself imperfect and transient. However, this lack of perfection is the very impetus behind all man’s ethical endeavors, that is, the struggle for nobility and love. By construing the work of art as fundamentally flawed and ephemeral, Moritz’s aesthetics problematizes the idea of perfection as well as the notion of aesthetic autonomy. (MP)