<?xml version='1.0' encoding='UTF-8'?><xml><records><record><source-app name="HighWire" version="7.x">Drupal-HighWire</source-app><ref-type name="Journal Article">17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Thompson, Mark Christian</style></author></authors><secondary-authors></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Jazz as Critique: Adorno and Black Expression Revisited. &lt;em&gt;By Fumi Okiji. Stanford, CA: Stanford University Press, 2018. 160 pages. $70.00 hardcover, $22.00 papberback, e-book (price varies&lt;/em&gt;).</style></title><secondary-title><style face="normal" font="default" size="100%">Monatshefte</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2021</style></year><pub-dates><date><style  face="normal" font="default" size="100%">2021-12-21 00:00:00</style></date></pub-dates></dates><pages><style  face="normal" font="default" size="100%">727-730</style></pages><doi><style  face="normal" font="default" size="100%">10.3368/m.113.4.727</style></doi><volume><style face="normal" font="default" size="100%">113</style></volume><issue><style face="normal" font="default" size="100%">4</style></issue><abstract><style  face="normal" font="default" size="100%">You do not have access to the full text of this article, the first page of the PDF of this article appears above.</style></abstract></record></records></xml>