<?xml version='1.0' encoding='UTF-8'?><xml><records><record><source-app name="HighWire" version="7.x">Drupal-HighWire</source-app><ref-type name="Journal Article">17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Gürtler, Andreas</style></author><author><style face="normal" font="default" size="100%">Wendt, Angela M. C.</style></author></authors><secondary-authors></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Höllische Paradiese. Moralisches (?) Theater bei Friedrich Schiller und Dea Loher</style></title><secondary-title><style face="normal" font="default" size="100%">Monatshefte</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2007</style></year><pub-dates><date><style  face="normal" font="default" size="100%">2007-09-21 00:00:00</style></date></pub-dates></dates><pages><style  face="normal" font="default" size="100%">346-359</style></pages><doi><style  face="normal" font="default" size="100%">10.3368/m.99.3.346</style></doi><volume><style face="normal" font="default" size="100%">99</style></volume><issue><style face="normal" font="default" size="100%">3</style></issue><abstract><style  face="normal" font="default" size="100%">In an interview, Loher refers to Schiller’s early concept of the “theatre as a moral institution.” Yet this cliché is problematic since it has been decontextualised. This essay argues that Loher is concerned with the aesthetics of the late Schiller, and it draws attention to the fact that Schiller never put his idea of a moral institution into practice. (AG, AMCW; in German)</style></abstract></record></records></xml>