[BOOK][B] Nazi soundscapes: sound, technology and urban space in Germany, 1933-1945
C Birdsall - 2012 - library.oapen.org
Following the formation of the German National Socialist Party in the 1920s, various forms of
sound (popular music, voice, noise and silence) and media technology (radio and …
sound (popular music, voice, noise and silence) and media technology (radio and …
[BOOK][B] Precarious times: temporality and history in modern German culture
A Fuchs - 2019 - books.google.com
In Precarious Times, Anne Fuchs explores how works of German literature, film, and
photography reflect on the profound temporal anxieties precipitated by contemporary …
photography reflect on the profound temporal anxieties precipitated by contemporary …
Art from the Gutter: Heinrich Zille's Berlin
AM Brian - Central European History, 2013 - cambridge.org
The quintessential Berlin artist Heinrich Zille, while remaining almost unrecognized outside
Germany and certainly neglected in art historical circles on both sides of the Atlantic …
Germany and certainly neglected in art historical circles on both sides of the Atlantic …
Rhythmic movement, the city symphony and transcultural transmediality: Liu Na'ou and The Man Who Has a Camera (1933)
L Zhang - Journal of Chinese Cinemas, 2015 - Taylor & Francis
This article explores how the creative career, protean experiments and theoretical writings of
Taiwanese/Shanghainese/Japanese writer, translator, filmmaker and critic Liu Na'ou (1905 …
Taiwanese/Shanghainese/Japanese writer, translator, filmmaker and critic Liu Na'ou (1905 …
[BOOK][B] Berlin im Feuilleton der Weimarer Republik: zur Kulturkritik in den Kurzessays von Joseph Roth, Bernard von Brentano und Siegfried Kracauer
E Rautenstrauch - 2016 - books.google.com
Das Feuilleton, auch Kulturressort genannt, hat von den Kulturwissenschaften bisher kaum
Beachtung erfahren. Insbesondere die» Zeitungsstadt «Berlin jedoch brachte während der …
Beachtung erfahren. Insbesondere die» Zeitungsstadt «Berlin jedoch brachte während der …
Of other cinematic spaces: urban Zionism in early Hebrew cinema
H Shoham - Israel Studies Review, 2011 - berghahnjournals.com
The Zionist ethos is commonly described as pro-rural and anti-urban, with the imagined
Zionist space perceived as being rural and the Zionist drama as a reflection of the life of the …
Zionist space perceived as being rural and the Zionist drama as a reflection of the life of the …
2.2. 3 Synthetischer Essay
AD Zweig, BBM der Ablehnung - Berlin im Feuilleton der Weimarer Republik - degruyter.com
In der Dichotomie von kulturkonservativem und kulturprogressivem Essay spiegelt sich das
für die Weimarer Republik charakteristische zeithistorische Momentum wider, Tradition und …
für die Weimarer Republik charakteristische zeithistorische Momentum wider, Tradition und …
For additional information about this book
L Ge - muse.jhu.edu
1 For a case in point, compare CT Hsia's A History of Modern Chinese Fiction and his The
Classic Chinese Novel: A Critical Introduction. It is apparent that the approach in the former …
Classic Chinese Novel: A Critical Introduction. It is apparent that the approach in the former …
[PDF][PDF] Rhythmic Movement, Metaphoric Sound, and Transcultural Transmediality
H a Camera - Early Film Culture in Hong Kong, Taiwan, and …, 2018 - library.oapen.org
In his brief yet prolific creative life, Liu Na'ou (1905–1940) worked in Shanghai as a
neosensationalist (Xin ganjue pai) writer, translator, publisher, editor, film critic and theorist …
neosensationalist (Xin ganjue pai) writer, translator, publisher, editor, film critic and theorist …
Sound Images, Acoustic Culture, and Transmediality in 1920s-1940s Chinese Cinema
L Zhang - 2017 - search.proquest.com
Abstract My dissertation, entitled Sound Images, Acoustic Culture and Transmediality in
1920s-1940s Chinese Cinema, explores film sound aesthetics and aural culture in 1920s …
1920s-1940s Chinese Cinema, explores film sound aesthetics and aural culture in 1920s …